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Sunday, October 22, 2017

Interview with Author/Illustrator Julie Kim: WHERE'S HALMONI?



My previous blog post was my review/blog talk of the graphic novel/picture book Where's Halmoni? Click here to read the post. Today, I am sharing my interview with the author/illustrator of this book, Julie Kim. I always enjoy hearing the creators of children's literature share about their process, and I know you will enjoy this interview today. My questions are in bold print, and Julie Kim's follow below. 

1.) The picture book/graphic novel format of WHERE'S HALMONI? is what struck me first about your book. I think it works on so many levels! Can you tell about your decision to do this? 

I love colors and the lushness of fully painted illustrations. I also love the graphic novel format because it lends itself to expressive detailed story telling. So, like ice cream, if I can't choose between two flavors, I end up getting both. And in this case luckily for me, picture books naturally lends itself to the graphic novel format and it worked out in the end.

2.) Your art is filled with energy. I also appreciated your use of color. Please tell us about how you create your art and your style. 

 For me, colors always embody certain types of energy, like musical notes or a melody with all its emotional triggers. When I paint, it always feels like I am composing a musical score with all its crescendos and kazillion notes. My eyes are my ears, emotionally responding the same way as I compose my paintings. Sometimes it all comes together in glorious harmony, and other times it falls flat. For this particular book, my inspiration was the traditional Korean Folk Art with its vibrant joyful colors that defied what I considered a harsh and unforgiving society for common folks of Korean Chosun era. And since this book was about bridging two cultures past and present, it was natural that I combined the styles of both Old Korea and contemporary U.S.

3.) I enjoyed all the Easter eggs in the book. Why did you decide to place these in WHERE'S HALMONI?

Actually, the Easter eggs often act as the Act II of the story, filling out the story in greater detail and richness as you go back and reread. It makes the reader ask questions and wonder beyond the written story, opening more doors to the imagination.

Thank you, Julie Kim, for appearing on my blog today, and many thanks as well to Little Bigfoot Books! 

Wednesday, October 18, 2017

WHERE'S HALMONI? by Julie Kim





Kim, Julie. Where's Halmoni? Seattle: Sasquatch Books, 2017. Print.

I blog about picture books often because the art fascinates me. Mix this with my readers' insatiable appetite for graphic novels, and you will know why I am blogging about this particular book today.

Where's Halmoni (Sasquatch Books, 2017) is an ingenious blending of these two forms.

Before I begin to tell you about the story, I must comment on the physical awesomeness of the book:

The orientation is tall and rectangular, mirroring the doorway in which the tiger appears. A red spine ties in with the cover. The absence of a dust jacket is appealing and suitable for the art. It is as if the tiger is lurking at your own front door.

The title is raised while the author/illustrator's name is embossed in red. Open up the book and look at the back cover, and you will find the two main characters of this book, facing the tiger.

The front endpapers begin the story (in red print), while the back endpapers add a final note. don't quite think I have ever seen this before in a book, but I will do my best to look back and notice this now (P.S. I also LOVE endpapers.)

The book's title page is integral to the story. As I advise the readers in my library, pay attention to it!

The colors are soft yet vibrant. Some are in panels and some are full spreads, glorious and engaging. I fully appreciate the use of color, and followed the interaction between text and art with interest and wonder.

Kim incorporates characters from Korean folktales, with four taking part in the story: the moon rabbit, the tiger, the dokkebi, and the fox. Back matter provides insight into each.

Once the art brings you in, the story keeps you in it -- the tale of Noona and Joon, searching for Halmoni, their grandmother. They visit her seemingly normal home, until they enter a panel that sends them into a magical land with sapphire mountains and the afore-mentioned creatures. Brother and sister encounter each, armed only with their liveliness and a backpack full of candy! Do they find Halmoni? What secrets is Halmoni keeping? Read this graphic novel/picture book to find out!

Tomorrow, I will feature an interview with Julie Kim, the creator of Where's Halmoni? Make sure to come back to learn more about this book!!










Tuesday, October 3, 2017

AFTER THE FALL by Dan Santat


Santat, Dan. After the Fall. New York: Roaring Brook, 2017. Print.

I am always interested in fractured fairy tales or retellings of nursery rhymes. But this picture book is not that at all. This is a sequel to the original -- to that story we have all heard -- about the unfortunate Humpty who fell off the wall and broke so badly that he couldn't be repaired.

After the Fall tells us what happens after Humpty takes that famous tumble. It's the second verse, told within the pages of a picture book. And, thankfully, it fleshes out a bit of what the first one left out.

Caldecott Winner Dan Santat gives us a bit of Humpty Dumpty's bio in his latest picture book, and the clues are in the illustrations. (See the wall hanging on the 2nd page spread). And through the story, Santat also shows us just how much Humpty's accident has shaped his life.

At the beginning of the story, we learn that Humpty's unfortunate fall was indeed "great"-- having a profound effect on his current reality. He has never forgotten it, and it has changed how he does things (such as not sleeping on the top bunk, and forgoing anything on the top shelf of a grocery store). He has tried to make do.

But Humpty had a dream, and the force of it is strong. Soon, he pursues it once more. He pursues it with perseverance and courage, narrating his struggles honestly. And in his sincerity, we connect with him, especially after seeing all he has gone through to get here.

After the Fall is poignant, and may be a bit melancholy. And, ingeniously, though it is melancholy, this nursery rhyme sequel is also inspiration, motivation and encouragement -- and will find its readers with those who have a tough goal ahead, or had a bad break, or who never quite overcame that obstacle in their path.

We may not have known how much we wanted to know about Humpty afterward, but we did! And we all root for him here.

Santat's art gives us lush layers of story: the grandness of the wall (told through scale), the things he can no longer enjoy (told through color), the faraway-ness of the dream (told through perspective), and the effort put forth to reclaim his dream (told through panels). All of these done well.

But it is Santat's storytelling and crafting that make this book a must-read.

Read this book to hear the rest of the story, and to once again, enjoy the brilliance of Dan Santat's work.

(P.S. I wrote this post from the advance copy provided by Macmillan Kids. I can't wait to get a final copy! After the Fall celebrates its book birthday today. I have been waiting for this day for awhile!)