At my first TLA last year, I heard Philip and Erin Stead speak on a panel. I enjoyed listening to the conversations about picture books and picture book art, and what made it all the more wonderful was the fact that Mac Barnett and Chris Van Dusen also were part of it. (This was the first time I met Mac Barnett, another one of my most favorite authors ever.)
Here's my pic of the event. Yes, I sat in the front row. Wouldn't you?
Listening to these authors and illustrators talk about their books was such a great experience. They think so deeply about every part of their work and appreciate each other's talents in a way that is truly inspiring.
I knew the Steads, of course, from these books:
I highly recommend all of them! (Not all are listed here.)
And now, imagine my happiness at finding this in my mailbox.
Stead, Philip. Lenny & Lucy. Illus. by Erin E. Stead. New York: Macmillan, Print.
I was eager to open it up and take a look. To properly enjoy a book written and/or illustrated by the Steads, one needs quiet, space, and freedom to concentrate. I gave myself all of these things.
After an evening with the book, I took note of many aspects. There are so many things to think about in this book that I don't know where to begin.
So. . .
I'll go with the illustrations.
You can see from the cover that the car and its riders provide the only color. The trees - imposing and creating vertical lines in gray -- surround the family. They are being completely enveloped in their surroundings. As I poured over each page, I asked myself: What does Erin Stead want me to notice? I will know it by the orange, green, blue, purple, or even red. Again: What does Erin Stead want me to notice? It will also have patterns: floral wallpaper, textured blankets, striped shirt, print clothing. The woods and their eeriness are always in gray, in the background, silent -- yet very much a presence. A lone yellow leaf hanging from a tree points down like a finger on several pages: notice Peter under the tree, looking away from house, notice the bridge that Peter and Harold walk on together, and finally, notice Lenny waiting underneath the tree and protecting Peter. The oversize floral wallpaper is a nice effect in Peter's room - in essence, creating Peter's natural world - much more beautiful and safer than the desolate unknown outside.
Peter, his dog Harold, and his dad are moving to a new house, and from the beginning we know that Peter does not think this is a good idea. Dad is silent throughout the book, and Peter, after a snack of milk and cookies, ponders his situation and how he will handle it. His solution is Lenny, a protective figure, in the form of stuffed blankets and pillow hands -- comfortable and soft, and at the same time, imposing enough to guard the bridge's entrance. Peter goes to great lengths to create Lenny. And when he and Harold are back in their room checking on Lenny from upstairs, Peter worries about Lenny being lonely. So he builds another friend for Lenny and her name is Lucy. And they sit together at the foot of the bridge.
And I will not tell you about the ending, but I am still thinking about that, too.
It's an engaging story -- unexpected, moving forward, unpredictable. Through a kid's eyes, everything makes sense. The bridge connects Peter -- not only to his home and to the woods, but also to his future, unknown, and a bit scary.
I will be reading this story again. I do this with every Stead book.
Also in my mailbox this week: a stuffed turtle plush from And Then It's Spring. Thanks, Mackids! They are available now at Kohl's as part of a program called Kohl's Cares: $5 will buy one of the Stead books and another $5 will buy a stuffed plush. Read about the program here on Erin Stead's blog.
I will read Lenny and Lucy again and again. And I hope you will join me in getting your own copy in October 2015 when it is released.

















